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Cats & Dogs: The Revenge of Kitty Galore
Although critter movies have performed extremely well at the boxoffice, "Cats and Dogs: The Revenge of Kitty Galore" will put that trend to a tough test.
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Land of Plenty
Wim Wenders wants a 25th Hour to call his own, and for Land of Plenty he splices the story of a young girl recently arrived from Tel Aviv and her paranoiac uncle into a montage of music-video-styled American anomie. Once a purveyor of Germany's post-war existential mess, Wenders is now content wandering the American heartland with his iPod and camera-as-divining-rod, looking for a thematic purpose to anchor his groggy, music-infused aesthetic.
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Danny Boyle's Slumdog Millionaire is the film equivalent of Usain Bolt's performance at the Olympics: funny, shocking, spectacularly turbo-charged. It takes your breath away at the same time as it makes you want to holler with joy or to grab the person next to you: "Yes!"
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Nick and Norah's Infinite Playlist
Nick and Norah have the kind of lives any suburban teenager would envy-- for one night, at least. Wandering from dingy club to slightly dingier club, across what remains of Manhattan's gritty East Village, the two wax poetic about their favorite bands, engage in the usual battle of the sexes and, what would you know, fall in love. Nick and Norah's Infinite Playlist, based on the popular young adult novel of the same name, is a surprisingly timeless story given its hip trappings, and will enthrall teen viewers who imagine such a adventurous, music-fueled life for themselves.
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Cellular is a nearly perfectly executed "high concept" thriller, that, like Speed and Phone Booth, uses a gimmicky setup but is paced so relentlessly that you don't have time to dwell upon the obvious implausibility of the situation. (It should be noted that Larry Cohen was involved in writing both Cellular and Phone Booth.) When you step in to a theater to see David R. Ellis' movie, you either agree to buy into the premise or not. In the latter case, you should look for another film. In the former, you're in for an entertaining ride.
Candy is an Australian film that also offers a dose of familiarity. It's one of those drugs-are-hell movies that follows the time-tested path of watching two generally likable characters embark upon the road to self-destruction that results when recreational drug use tips over the edge into addiction. There are two things the bleak Candy has going for it: the characters are more self-aware than in most similar films (there's no denial - they're junkies and they know it) and the acting couldn't be better. Heath Ledger is as good as he has ever been, Geoffrey Rush is his usual reliable self, and Abbie Cornish is a dynamo. (Cornish, by the way, can currently be seen as a much different kind of character in A Good Year.) The movie, from Aussie director Neil Armfield, states its thesis early, and sticks to it: "When you can stop [drug use], you don't want to. When you want to, you can't."
At the age of 26, Ramon Sampedro misjudged the depth of water he was diving into and broke his neck. For the next 29 years, he lived the life of a quadriplegic - one that he considered not worth living. Despite having lost the use of his body below the neck, he still had a voice and a mind, and he put both of those to use, waging a one-man war for the right to die: his right to die. In one impassioned statement, he wrote the following: "I... think that living is a right, not an obligation. Nevertheless, I have been obligated to tolerate this pitiful situation…" He was a tireless soldier in this battle, but, because of the forces allied against him - religious leaders, conservative activists, and even his own brother - the conflict seemed hopeless. Since he could not accomplish the deed on his own, he needed the help of others. However, the law would prosecute accomplices for aiding him, and Ramon was unwilling to subject another to such a penalty, so he was trapped.
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In a year of debacles and big budget implosions like Supernova, Mission to Mars, and the unforgettable Battlefield Earth, the task of creating the most satisfying science fiction movie (to date) has been left to veteran director Clint Eastwood. While his overlong Space Cowboys is not a portrait of cinematic perfection, it is consistently engaging, features likable, irascible characters, and does not descend into the shoot-and-scoot idiocy that has marked far too many recent outer space endeavors. While there are definitely a few plot point similarities between Space Cowboys and Armageddon, in tone and approach, Eastwood's effort owes more to Contact.
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I Heart Huckabees
After seeing two previews for David O. Russell's I Heart Huckabees, I had no idea what it was about. Now, having seen the movie, I still feel like I'm on the outside looking in. I certainly realize why the preview is so obtuse. There's no way that two minutes of snippets can begin to convey what this film is trying to do. In fact, in order to understand what's going on, you have to sit through all 105 minutes of the running time, and that's an experience that will try the patience of many mainstream movie-goers. It's no exaggeration to say that this movie is not for everyone.
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Stone of Destiny
Ian Hamilton (actor Charlie Cox), the protagonist and an ardent member of the Scottish nationalist organization, the Scottish Covenant Association, is very angry at what he sees as the political and economic subjugation of Scotland by England, and is sad that Scots are somewhat ashamed to be Scottish (symbolised by the description of Scotland as "North Britain" in, for example, a pub mirror shown in the film). After a petition to the British Parliament for the establishment of Scottish home rule is rejected, he decides to perform a symbolic act to put heart into the movement. With his friend, Bill Craig (Billy Boyd) he creates a daring scheme to bring the Stone of Destiny (a.k.a. the Stone of Scone) back to Scotland from Westminster Abbey in London, where it has resided for centuries following English military victories over the Scots in the Middle Ages.
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The film begins with a man trying to escape through the forest from the pursuing knight. Just as the knight catches him and hits him with the sword the man disappears. Soon after that the man is discovered barely alive in the middle of the desert, only able to tell a single word - Castlegard. He dies shortly after being transferred to the hospital. One of the physicians discovers a pendant around his neck with the ITC Corp. label. The X-ray photos show many internal organs, veins and bones are out of alignment for an unknown reason. Soon after that an ITC Corp. employee shows up and identifies the dead man as Vincent Taub. He picks up his body and the company decides to cover up the incident.
In the beginning of the film, Narrator Smurf describes the Blue Moon Festival, where every Smurf prepares to sing the Smurf theme song, almost every Smurf. Gutsy Smurf and Grouchy Smurf tell Clumsy Smurf he's on the "Don't Not Let In" list because he is too accident prone. Meanwhile, Papa Smurf sees a vision that Clumsy has a dragon wand, the Smurfs are in cages, and Gargamel has ultimate power. Worried that this may happen, Papa does not let Clumsy pick Smurf Roots. Clumsy refuses to listen and picks the Smurf Roots. Gargamel soon finds Clumsy and chases after him. Clumsy accidentally leads Gargamel into the hidden Smurf village, and Gargamel destroys it. Running from Gargamel, Clumsy accidentally goes the wrong direction, and some of the other Smurfs go after him and leap into a magic portal and finally discover New York City. They take shelter with a young married couple (Patrick and Grace Winslow), who are expecting a baby. The Smurfs have to return to the Middle Ages and stop Gargamel. With the help of Patrick and Grace, the Smurfs eventually defeat Gargamel.
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The Sum of All Fears
The film begins with a sequence inspired by the novel's prologue set during the 1973 Yom Kippur War, in which a single Israeli A-4 jet carrying a nuclear weapon is shot down over the Syrian desert. The bomb, over time, is consumed by the sand and disappears.
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Homeless to Harvard: The Liz Murray Story
Based on a true story. Liz Murray is a young girl who is taken care of by her loving, but drug-addicted parents. Liz becomes homeless at 15 and after a tragedy comes upon her, she begins her work to finish high school.
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In the 80s, after seeing his father and lumberjack foreman being hit by a protestor against the deforesting and arrested by the police, the boy Gus kills the protestor with a chainsaw. In the present days, Samantha, who is traumatized after being abused by her former boyfriend Jimmy, travels with her pothead friends in a van to the American Free Love Festival, a rock-and-roll concert in the woods. Near the location, they are assaulted by three local hillbillies, but they succeed to arrive in the festival. Meanwhile, Mayor Hal Burton and Deputy Buzz Hall try to give a minimum of organization to the event. However, a deranged psychopath serial-killer wearing a mask of Ronald Reagan uses an ax to kill the pacific stoned hippies.
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The unexplainable phenomenon known as Colony Collapse Disorder has left landscapes of empty beehives all across America, threatening not only the beekeeping industry but our food supply. As scientists and beekeepers search for the cause, Colony captures the struggle within the beekeeping community to save the honeybee and themselves. Colony documents a time of unprecedented crisis in the world of the honeybee through the eyes of both veteran beekeeper, David Mendes, and Lance and Victor Seppi, two young brothers getting into beekeeping when most are getting out. As Mendes tries to save the nations collapsing hives, the Seppis try to keep their business alive amidst a collapsing economy.