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The Sorcerer's Apprentice
Walt Disney Pictures, star Nicolas Cage, producer Jerry Bruckheimer and director Jon Turteltaub, the team behind the National Treasure franchise, reunite for The Sorcerer's Apprentice. Inspired by the eponymous short in Disney's 1940 masterpiece Fantasia, the film stars Cage as Balthazar Blake, a centuries-old master sorcerer who has been searching for the next Merlin since, well, the days of Merlin. He finds this archetypal chosen one in the person of young New Yorker Dave Stutler (played as an adult by Jay Baruchel).
Dave first encounters the eccentric immortal when, as a 10-year-old student, he stumbles into Balthazar's occult shop. Before the skittish kid can flee the shop, Balthazar convinces Dave to try on a special ring -- one adorned with a dragon. If the dragon likes you, Balthazar promises him, you can keep it. As soon as young Dave puts it on, the dragon comes alive and wraps around his finger to form the ring's band.
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Smokin' Aces director Joe Carnahan lends his signature kinetic, seriocomic stylings to this big screen rendition of the small screen classic The A-Team. The film's opening sequence is essentially the origin of the team, introducing our four main protagonists – U.S. Army Rangers Col. John "Hannibal" Smith (Liam Neeson), Lt. Templeton "Faceman" Peck (Bradley Cooper), Capt. "Howlin' Mad" Murdock (Sharlto Copley) and Sgt. B.A. Baracus (Quinton "Rampage" Jackson) – before moving on to the main narrative.
In the last days of the U.S. occupation of Iraq (that's how we know the film is set in the future), the A-Team is given an off-the-books mission to snatch back some U.S. printing plates (it's a long story, but one inspired by true events).
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While She Was Out
Running out to the mall to do some Christmas shopping as well as get away from her abusive husband, Della manages to anger a group of psychotic young men. After an ill-fated car chase, Della finds herself being chased through the woods, armed with nothing but a red toolbox she took from the back of her jeep. Kim Basinger stars as Della, and Lukas Hass plays Chucky, the sadistic "leader" of the gang.
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Monsters vs. Aliens
I know this is going to sound familiar, but I absolutely adore feature-length animation. It bugs me that the medium is STILL -- a mere 900 years after Snow White came out -- considered "kids only" by a large portion of the population. Even my mom, who was moved to tears by Beauty and the Beast, absolutely adores Toy Story, and cites Sleeping Beauty as an all-time fave, turns her nose up when I offer her a DVD like Flushed Away or The Iron Giant. (Or Fear(s) of the Dark.) "Meh," she says, "that's kiddy stuff." But I know that if she actually sat down and focused on, say, The Incredibles -- she'd start to see what I see: An eye-tickling landscape of endless cinematic opportunities.
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I knew that AWAKE was going to be a disaster the second I got the press kit from the studio. How did I know this?
Simple- the running time of the film was listed as seventy eight minutes. For a big studio film, anything under eighty five minutes is extremely rare. Generally, the bare minimum is eighty two- this is usually a sign that the film has been butchered in the editing room.
The Bridge to Nowhere
The title of this film sets up where it’s going to go, leaving few surprises at the end. But its predictability doesn’t make the movie any less entertaining to watch.
Those on this bridge to nowhere are five longtime friends in their early 20s living in Pittsburgh. The guys distract themselves from their low-paying dead-end jobs with small time hustling: sports booking, gambling and house parties.
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A struggling writer unlocks the full potential of his brain by taking a cutting-edge pharmaceutical, only to find that his newfound abilities have made him a target for some of the most greedy and dangerous men on the planet. Eddie Morra (Bradley Cooper) is an author without a novel. No matter how hard he tries, he just can't summon the inspiration to write a single word.
Twelve and Holding
There's something compelling, and occasionally profound, about a well-made coming of age story. Perhaps part of the reason is that the experience, although shaded with subtle differences for each individual, is universal. Regardless of race, class, or gender, every human being must at some time cross over the cusp of adulthood. As in many films, Twelve and Holding uses a dramatic event as a catalyst. A tragic occurrence forces three 12-year olds (hence the title) to make the leap, perhaps prematurely, out of childhood.
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Look at Me (Comme une image)
At first glance, Look at Me appears to be a standard French drama about a dysfunctional family. All the elements are in place: the domineering father whose celebrity status has made him indifferent to the needs of his family, the meek trophy wife, the overweight daughter who craves her father's unavailable affection, and several outsiders who find themselves drawn into an unstable orbit around these people. Yet first glances can be deceiving. Yes, this is a dysfunctional family drama, but it's also something more profound. Look at Me takes aim at the common human character flaw of self-absorption and examines how we no longer seem to communicate with one another. And, as is typical of her work, director Agnès Jaoui (she co-wrote Un Air de Famille for director Cedric Kapisch) gives us plenty of smart dialogue and accents her drama with black humor.
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Lethal Weapon 4
Since 1992, when Lethal Weapon 3 became an undisputed box office hit, there has been talk about a follow-up. With the possible exception of the still-unconfirmed Die Hard 4, Lethal Weapon 4 has been the subject of more (often inaccurate) rumors than any other action movie. Creatively, there was no reason to re-assemble the cast, but Hollywood productions are driven by money, not artistic impulses. As a result, it was just a matter of time before Lethal Weapon 4 made the transition from rumors to reality. Once the hurdle of signing Mel Gibson was cleared via a huge pay check, the film was rushed into production.
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Bill (Michael Douglas) is having a bad morning. He's stuck in his car in a traffic jam, his air conditioner isn't putting out any cold air, his windows won't work, and there's a fly buzzing around his head. Taken as a whole, all of this is enough to make him snap. Just like that, he gets out of his car, leaving it behind in the middle of the road, and sets off for home on foot. His cross-town trek quickly turns violent when he feels his rights as a consumer and citizen are violated, and a number of potentially-lethal weapons fall into his hands. Meanwhile, police officer Martin Prendergast (Robert Duvall) is going through a life-crisis of his own. How he deals with it puts him on a collision course with Bill.
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Journey to the Center of the Earth
Journey to the Center of the Earth is the first live-action feature to take advantage of the new digital 3-D technology. However, in generating what amounts to a 90-minute theme park ride, the filmmakers lost track of the need to tell a compelling story to supplement the eye candy. Despite taking its name from one of the most famous science fiction novels of all time, Journey to the Center of the Earth is as weak when it comes to "fiction" as it is when it comes to "science." This movie is an overlong gimmick, an opportunity for special effects whiz-turned-director Eric Brevig to "wow" an audience with his technical bravura. With 3-D, a little goes a long way and, in the absence of a legitimate script with credible characters, the fun dries up long before the running time has expired.
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Home Alone 4
Peter is about to get divorced from Kate and announces that he's living with his new girlfriend, Natalie. He tells his three children, including Kevin, that they are hosting the visit of a royal family and invites everyone to spend Christmas with him and Natalie. After initially refusing, Kevin takes his father up on his offer after being tormented by his older brother Buzz.
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On the front lines of Americas drug war, one family is living in the crossfire.
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The Wendell Baker Story
Owen, Luke, and Andrew Wilson combine their fraternal filmmaking talents to tell the character-driven tale of a small-time con man who gets a fortuitous shot at redemption while working in a run down retirement community. Wendell Baker (Luke Wilson) is a con man whose large heart betrays his criminal mind. Confident to a fault and consistently cool-headed, Baker is the kind of grifter who's always quick with a comeback and never lets the law get in the way of making a quick buck. When Wendell is busted for selling counterfeit Texas driver's licenses to undocumented Mexican migrant workers, he coasts through his prison sentence with the same unflappable attitude that made him the perfect swindler in the outside world. In order to pass the time behind bars without causing waves, mellow convict Wendell buries his nose in books about hotel management checked out from the prison library. Upon release the optimistic ex-con is distraught to discover his girlfriend Dorren (Eva Mendes) has taken up with a quick-tempered grocer (Will Ferrell) and his former partner Reyes (Jacob Vargas) has been forced into retirement by his law-abiding wife. Looking to put his hotel management know-how to good use and determined to win Doreen back, Wendell soon takes a job at the Shady Grove retirement hotel. Little does Wendell realize that scheming Shady Grove head nurse Neil King (Owen Wilson) has been dabbling in fraudulent Medicare payments and forced labor, and has no qualms about pinning his crimes on the carefree ex-convict. Now, if benevolent knave Wendell has any hope of turning the tables on his unscrupulous nemesis and proving that nice guys don't always finish last, he'll have to enlist the aid of fed-up Shady Grove residents Boyd (Seymour Cassel), Skip (Harry Dean Stanton), and Nasher (Kris Kristofferson), who are all more than willing to strike back at their casually cruel caretaker
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Beneath the Dark aka Wake
Driving to a wedding in Los Angeles through the Mojave Desert, Paul and Adrienne pull off the highway and into Roys Motel and Cafe. This roadside artifact proves to be a strange and surreal place with an unsettling mix of travelers, who force our couple to discover the secret hidden between them and ultimately, the horrifying reality of their current situation.
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